After the world was ravaged by some strange meteor rain/snow, an epidemic started that only affected the female population. And while men have absolutely nothing from the strange virus, women began to die en masse. Some 400 days after the beginning of the epidemic, Eva (Freida Pinto) is one of the few surviving women, and she managed to last so long because her boyfriend Will (Leslie Odom) put together a real quarantine for her in their house. She doesn’t go out anywhere for a long time, she hides, and the reason for this is that the surviving women are extremely wanted and the government takes all the women to a secret location, where there is a fertility laboratory and all the women who manage to be found are used there, they will be, to try to save the population.
We will soon realize that Eva is also sick, and after the police raid their house, this couple will head into the unknown so that Will can fulfill his girlfriend’s last wish. And it won’t be an easy and pleasant journey at all, because bounty hunters are roaming everywhere, capturing the rare surviving women. The plot of the film, written and directed by Takashi Doscher, is non-linear and we constantly jump from the present to the past to find out what happened to the world and how this post-apocalyptic state came about in the first place. This romantic sci-fi drama premiered at the Tribeca festival, and then ended up on Netflix. Although both the idea and the story here were even promising, it was realized in the end excessively melodramatically, even incoherently.